'AUGMENTED SKIES: YELLOW'
Digital inkjet archival print with 10 colour screenprint overlay and 24 karat gold leaf embellishment, on Hahnemuhle photorag 308gsm paper.
Hand-signed and numbered by the artist.
Edition of 40 and 5 Artist Proofs.
81 cm x 113 cm.
About Miss BugsMiss Bugs was founded in the early part of 2007, originally coming from a background in photography and graphics. Working in partnership, they developed fast, spontaneous working methods, cutting and pasting existing images; ‘remixing and sampling classics’ in art to make new pieces with their own mark.
Miss Bugs began in the early days making small scale works on paper, using screen printing with hand painted elements. They then scaled the work up, making life size cut outs of characters to place in situ on the streets of London. These were left in place to become part of the cityscape and recorded through photography.
Their recent work includes larger scale pieces, incorporating laser cut planes of wood, hundreds of small component objects and poured resin. These pieces are time consuming and labour intensive, and a long way from the quickly constructed art pieces of the early days. Miss Bugs has always taken a broad and varied approach to creating work. The combining of materials and objects, alongside the way contemporary imagery can be collaged together, either by hand, through photography, or using a digital process is important.
The focus of the work has always been the human form; as Miss Bugs’ interest lies in developing ‘characters’ to tell a story. Archetypal imagery from magazines, art history and films are used as a starting point, which are then cut, overlaid and distorted to produce character portraits with an arresting graphic look. The influence of collage artists like Hannah Höch can clearly be seen in the work. The layering and placing of colour and pattern is also intrinsic to the work, and is very much a hands on element for Miss Bugs in the construction of the final pieces.
Miss Bugs have exhibited in New York, San Francisco, LA, Paris and London. Their artwork is also in a number of significant private collections around the world.
Release date: Tuesday 30th November, at 6pm GMT.
Shipping timeframe: We will aim to get your piece shipped to you within 3 to 4 weeks of your purchase, though dependent on the government guidelines for London regarding COVID-19, this period may be extended. If you have any questions regarding our shipping, please do not hesitate to get in touch at firstname.lastname@example.org.
Purchase notice: Please note that purchases will be capped at one prints per customer. If more than one print is bought by any one individual, Institut Editions reserves the right to refund and cancel the purchase of any works exceeding this limit.
Please kindly note that due to COVID-19, there may be a slight delay on international shipments. To find out more, please see our COVID-19 Policies on our Frequently Asked Questions page.
We aim to deliver your print to you within 3 to 4 weeks.
Our beautiful prints are carefully wrapped in acid-free tissue paper and flat-packed to ensure the safety of your print.
You may also choose to collect your print in person from the gallery. We will ensure that your print is packed and ready to go on your arrival.
Please note that if the work is being shipped internationally from the UK, that you may be liable to pay import/duty charges which are not covered by our shipping fee.
We offer a 14 day returns policy on all of our editions, on the basis that these are returned to us in the condition in which they were dispatched. If you have a query about a work that you have bought please do not hesitate to get in touch and we will assist you in the best way that we can.
For more information with regards to returns and reimbursements, please read our Terms and Conditions.
Caring for your Print
Here are a few tips on how to best take care of your new print!
All our prints are carefully wrapped and delivered to you in packing tubes for safe transport. Once you receive your print, remove it from the tube at your earliest convenience and store the piece flat. This can be flat packed between some cardboard or plywood, or weighted down on the four corners, preferably with soft objects. Try to avoid leaving your new print rolled for too long!
When framing the work, we always opt for a frame with Art Glass. This may be a little more expensive at first, but it's worth it - Art Glass will keep your print in pristine condition across the years and will ensure the colours always stay true.
Try to place your work in an environment with a normal temperature. Extreme temperature or humidity can have an adverse effect on your beautiful print, so be sure to keep it protected! We always recommend framing the work behind glass as a great way to keep it protected from any adverse environmental conditions.